TU Delft

Graduated from the Technical University of Berlin  and University of Artis in Design & Computation, a transdisciplinary study program. She holds a bachelor’s degree in Visual Communication from the Berlin University of the Arts and the Bezalel Academy of Arts and Design in Jerusalem. Her interests include feminist perspectives on digitalisation, queering technology and human-machine interaction and relationships. Her practical work moves between media such as installation, print, video, wearables, illustration and prototyping.

Ines Weigand graduated in 2020 from the Berlin University of the Arts (UdK) with a Master’s degree in Communication in Social and Economic Contexts. In her collaborative Master’s thesis, she investigated potentials of the Open Science movement for a change in the relationship between humans and nature. In order to investigate this problem, which is typical for the Anthropocene, she used methods of critical making and experiential learning.

After gaining experience in (knowledge) transfer and participatory urban development for two years at the University of the Arts and the public innovation lab CityLAB Berlin, she returned to the University of the Arts in October 2022. Here, she conducts research in the project “Design, Diversity and New Commons“, at the UdK Berlin / Weizenbaum Institute.

Ines Weigand builds bridges between science, society and politics and benefits from her interdisciplinary background and pragmatic attitude.

She is interested in alternative learning environments, new forms of knowledge production and concepts of sustainability that lead to a socio-ecological transformation.

Head of digital services at the Technologiestiftung.

From a small town in Mecklenburg (Northern Germany), surrounded by mostly forests and lakes, with my head always in the clouds and interested in every book I could get my little hands on. I’ve gone from studying mechanical engineering, history, classical archaeology, to now finally trying to finish my degree in informatics.  

While working IT at Radbahn Berlin to finance my studies, I met Sara and later  joined her project. Now I’m teaching myself electrical engineering, endlessly tinkering with things, and trying to be useful while learning along the way.  

I also help seniors at a local library and am part of a nonprofit trying to improve Berlin.

Linhtan is studying business informatics at the Technical University of Berlin. In addition to the content of his studies, he is interested in gathering knowledge from various specialist areas in order to broaden his horizons and create added value for society in the future. 

He is involved in various projects in the Reallabor Wald and has worked particularly intensively on the topic of “3D forests”. In this project, he works at the interface between microcontrollers and 3D graphics software and combines technical expertise with creative visualization.

Graduated from the Technical University of Berlin in 2017 with an M.Sc. in Electrical Engineering. She implemented an experimental space at City LAB Berlin and developed a passion for prototyping, open hardware, and participatory development. Currently pursuing her PhD at TU Berlin, she researches tools for prototyping to discover the optimal composition of electronic components. Her mission is to develop tools that empower a wider audience to become inventors.

Selenay Kiray is a Berlin-based artist and researcher working at the intersection of sound, media, and critical design. She holds a Master’s degree in Sonic Arts from Istanbul Technical University – MIAM and a second Master’s in Art and Media from the University of the Arts (UdK) Berlin.

Her practice explores the acoustic and material dimensions of perception, often focusing on how sound can reveal hidden technological, political, and ecological systems. Drawing from her background in sound studies and political science, her work combines field recording, generative media, physical computing, and critical theory. She has taught experimental sound, non-linear audio, and generative media at institutions. Her current research engages with media infrastructures, algorithmic listening, and the politics of sound and sensing.